Saturday, 23 June 2012

Archiving My Negatives...

So yesterday was another day spent processing an old film I had and also spending 3 hours in the digital darkroom with just my negatives and the Hasselblad Flextight scanner for company! But I was kept occupied by the amount of scanning I had to do just to archive my negatives, had to do a bit of colour restoration too as it was difficult to find the right setting for my colour negatives from Barcelona, but I got thee in the end. Here are a few of the oldies that I scanned in:


This one looks much better when its been printed in the darkroom as the grain is not so visible, but wanted to put it up here as a more comedic image!

This is such an old negative and it needs a lot of editing still to get rid of all the scratches and imperfections...to be continued!

Orchid

Yellow Rose


Trees 2009


Thursday, 21 June 2012

New York Negative Scans!

The Saxophone Man
So I finally managed to get some free time between work and general stuff at home to scan some of my negatives from my New York trip back in April. And it's safe to say I am pretty pleased with the results, although would rather get into the real darkroom with them rather than the digital based darkroom but time has not allowed it at the moment and I wanted to enter them in some competitions over the summer. I really feel my travel documentary, that is my 'main thing' if thats what you wish to call it, has exploded here, but then New York City is a place of exciting cultural experiences and the high grain black and white film photographs I produced are in keeping with the feel of the Big Apple! As soon as I got home I got set up editing the photos, getting rid of the imperfections and sorting out the exposure, just so that I could post it here to show you all. :) Here are some of my favourites, the quality might not be great because I had to compress the images so that I could post them here, but next month they will be posted on Flickr in all their glory, so make sure you check them out!



I observed this man for about 20 minutes, photographing him drinking his afternoon coffee and reading his paper

The subway by the Natural History Museum: mosaic shark


One way for peace...


Apparently people would hang up shoes on electric wires to show that drugs were dealt in that area



The road outside the F.R.I.E.N.D.S building with a classic New York taxi


Observers of a game of basketball



Brooklyn Bridge

Padlocks on Brooklyn Bridge

Naked Cowboy




St Marks Place, one stop shop for weird and wonderful things

Badge Hat Guy


Grand Central Station

The subway



 

Thursday, 7 June 2012

BA Students shoot...


This photoshoot was at PCA in the Cove studio so I had a large space to work in which was great because the students pieces were quite large.
The first student had wooden tables so I used a diffused light by using a honeycomb attachment on the flash light, but she wanted the long shadows of the table legs in it as well so I only had to use two lights for the shoot, one main light with the diffuser which created the shadows and then a light to the side that was a fill in light. She wanted individual shots and then a panoramic style group shot of her work, which I acheived, then she accompanied me during the editing process and we cut down the photos I had taken so that only the ones she liked remained. Then she wanted a lower colour temp on the photographs so there was a slight blue tint like I had done on a previous shoot of her work a few months ago. This softened the image as the pure white background made it look stark and flat. She was pleased with the result and is creating a portfolio of the images for her final assessment. I have posted some of the photographs below:







The other student had metalwork and he had a very specific idea of what he wanted in terms of lighting, he wanted it to be low key with lots of shadows. Like before, this matched the theme of his work and the photographs became quite atmospheric and we had good fun just playing around with the shadows and trying to create a very dark predatory feel for the sculpture. I only used one light for this which was diffused by a softbox just to increase the spread of light so that I didn't lose too much of the large sculpture in the shadows. He was happy with the photographs and you can see some of them on his website: http://mkmmetal.weebly.com/ and I have also posted some below:





This image on the left was just an idea I had towards the end of the shoot that added a bit of drama, I just thought I would try out a few photos of it but wasn't taking it too seriously but he thought it was quite comedic and wanted to include the photograph in his archive of images!
Mike also wants me to photograph his sculpture outside on the moor so that their is the contrast of the metal and nature as well as being able to see his art in context of where it would be if someone purchased it.








The image below was a combination of his predatory animal sculpture and her deer table as the prey. They both wanted it for personal collection as well.


All rights reserved © 2012 Sarah Packer Photography

Pottery Shoot...

So the pottery shoot went really well, I did the shoot in the potter's workshop which had fantastic natural light and wooden surfaces that really complimented her art and the natural feel I wanted from the images. Before the shoot she told me she wanted individual shots, set shots and some of her working and of the workshop itself. I gave her the images on a disc the next day as she wanted the turnaround to be as quick as possible. You can see Susie Jone's facebook page here and my photographs: https://www.facebook.com/#!/pages/Bere-Pottery/312942658791834
Some of the pics are also below:









All pottery © Susie Jones at Bere Pottery. All rights reserved.
All photographs © Sarah Packer. All rights reserved.

Monday, 4 June 2012

Bike Night Project

I recently purchased Andrew Shaylors book 'Hells Angels Motorcycle Club' and it has these fantastically gritty black and white portraits and text describing his experience with the club. I bought this book because of my FDPH104 project on bikers at the Plymouth Bike Nights on the Hoe, which I am still documenting. I have a film that needs processing which has a few images I took at Cap'n Jaspers on the Barbican of the bikers who hang out there on warm sunny evenings, I can't wait to see the results!
I keep meaning to go and photograph at Cap'n Jaspers again, but I haven't had much free time now that I am doing more hours at work and commuting into Plymouth takes time and money! But hopefully over the summer I can get out there a bit more. I have also had to miss the next Bike Night - June 7th - because it's my mothers birthday and no matter how I try I don't think I can get away with sneaking off to photograph some bikers!! But I am going to the Megaride on the Hoe on Sunday 10th June loaded with my film camera and perhaps my FugiFilm Finepix digital for a few commercial shots and then after that I will be attending the July Bike Night to photograph that for Pete Batten.
This project has been a real kick starter for me, in terms of being a documentary photographer, as I usually only do my documentary photography when I am travelling but this event has provided me with something to photograph without going anywhere, allowing me to have something to be absorbed in whilst I am at home.
Hopefully, in time I will be able to set up a small tent of some form to do portraits of the bikers on the night, but I think that will be way off in the future when my confidence in my own abilities as a photographer have improved!

Pottery Shoot

So tomorrow I have a shoot in the afternoon with a local potter, Susie Clark whose work I am photographing for website and advertising purposes. I have decided to keep it simple with just a camera (Nikon D200) and a tripod, using natural light and the surroundings of her quaint country house which should put the photographs under the catagory of homely and nostalgic. This style mirrors her pottery which has birds decorating it combined with the earthly tones of the clay.
I have also been doing a little research into taking these types of photographs and purchased a book called 'The Crafters Guide to Taking Great Photos' by Heidi Adnum and it is actually fantastic, it tells you ways to photograph ceramics and pottery, fabrics, jewellery, books, art and various other crafts, with suggestions on backgrounds, composition, props, styling and detail. It has definately been the main contributor to my ideas for this shoot and with the combination of the potter's expectations and my ideas I will end up with some images that we shall both be happy with.
It is also helping with some woodwork and metalwork I am photographing for two 3rd year BA Applied Arts students on Wednesday morning in the Cove studio, the wood will require a softer light with the use of a diffuser and the metal work will look better with low key lighting to bring out the texture of the metal and with the atmosphere of the sculpture - its a dinosaur head on the body of what looks like an insect of some sort. The metalwork student also wants it to be photographed outside so that people can see his sculpture in context, so may have to plan this for another time, perhaps up on the moor to mirror the ruggedness of the Dartmoor landscape with the metal animal sculpture.
These are the same students whose work I photographed a few months ago and can be seen on my Flickr page, so its great to have repeat work which I think will be used in the Summer Show as they want it printed about A3 size. I will post the results of both these works later in the week.

Thursday, 17 May 2012

My Punk Film...



My collage film, the result of my Punk Film Complementary Studies...enjoy.

Sunday, 13 May 2012

Photojournalism...

So I discovered this blog/website I while back and never got round to posting it up here but I have now and it's just great to follow this photographer as he travels the globe photographing with a mix of film and digital. It is just the type of thing I would love to do in the future, photographing not just for American and English publications but also French newspapers and magazines.
http://www.photojournalism.co.uk/

Phil Coomes article asking current industry professionals about photojournalism is also an insight into the tough world of photography today: http://www.bbc.co.uk/blogs/photoblog/2009/08/photojournalism_today.html

Five Year Plan...

Wow a FIVE year plan, I tend to plan about a week ahead in my life! To be honest I don't want to plan my life, I like surprises and if I plan what I want to do then I'll probably be disappointed if I don't fulfill the things I intended.
Life is meant to be unpredictable and therefore unplannable (is that even a word?) and I love it like that, I do things on the spur of the moment, but if you want to force a five year plan out of me then this is probably going to be it:

2012 = Continue to develop myself as a photographer. Apply for Erasmus. Visit more exhibitions like Paris Photo Month this November!
2013 = 3-4 Months in Budapest, if my application is successful. If not then I hope to travel to America in the summer to do some travel photography and portrait work.
2014 = Finish photography degree - enter the industry if possible.
2015 = Hopefully will be moving to America with a job in editorial/photojournalism photography. Maybe explore Europe for a year.
2016 = Still be in employment with travel as a priority and also carrying out my own mini projects. I'll be 25 by the time this happens and alot can happen in five years and alot can change....

So not the most detailed plan ever and as you can see I want to spend as much time away abroad as is possible but that is all I know :)

Friday, 11 May 2012

Michael Lichter Interview

I contacted Michael via email as he resides in America and he was happy to answer my questions, despite being incredibly busy! I found his answers to be similar to my own feelings to photography in that I find that the only way to become a better photographer is by applying the techniques you learn to all areas of your work. There are many things I have learnt from using my favourite medium of film that I have applied to the way I work with digital - the careful consideration of what you photograph so you don't waste a shot and getting the exposure right, picturing things in black and white. Also the answer to the first question I asked is similar to how I got into photography.

1. Why were you drawn to photography as a career?
I accepted photography as a career after I unintentionally started getting some work in photography, and it seemed more promising than the other work I was doing at the time. 

2. Looking through your work I noticed that you do mostly colour images, is there a reason for that?
I have shot mostly color since going digital in 2001. I do consciously set the camera to shoot in BW on occasion, but even then, all of the color data is kept within the file (shooting RAW) and in most programs then opens as a color image. 

3. You obviously travel frequently with your work and have a broad range of clients, what skills do you think are required for the type of work you do?
Being self-taught in photography, I have had to develop my skill set on my own, including for studio work. I believe my skills in the studio have helped me become a better location photographer, and the skills used on location have helped me become a better studio photographer. Understanding how to manipulate artificial light will help understand what can be done with natural light, so this should help any photographer. Of course, computer skills are essential for any photographer. In my case, as a late comer, I make up for my short-comings with my studio staff. 

4. Do you work with digital or film?
All digital now. 

5. If you weren't a photographer, what would you be doing instead?
I wanted to be an architect as a child but that would require years of retraining at this point. I love working with my hands and can imagine my self doing woodwork that I also did as a child. Perhaps I would go back to music, but I left it for photography because I was better as a photographer. Frankly, I can't imagine doing anything else. Even if I couldn't do the work I do now, I would find some aspect of photography I could do, even if that meant teaching. 

6. As I said in my previous email I hope to photograph the Sturgis Rally, do you have any tips on how to go about getting involved with that?  
The only way to get involved photographing the Sturgis Rally is to go there and start shooting. 

7. Other than motorbikes, what else do you photograph?
I photograph computers for Oracle Computers, flow meters, medical products, corporate portraits...  I used to shoot much more of these subjects but with time, I have focused down.  

8. And finally, what advice would you give to a student photographer?
Get out there and shoot as much as you can.  Looking, edit and critique your own work as much as possible, and then get out there and shoot some more. 
 
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Lost in the hills, a splinter group with Aerosmith's Steven Tyler pulls over during the Legends Ride through the Black Hills to the Buffalo Chip during the annual Sturgis Black Hills Motorcycle Rally. SD, USA. August 3, 2009.
 
All photographs are copyrighted © by Michael Lichter/Michael Lichter Photography, LLC. & are protected by U.S. Copyright Law. All rights reserved.

Thursday, 10 May 2012

Photos on the website!!

Pete Batten, the organiser of Plymouth Bike Nights has put my images on the homepage of the website!! Check it out... http://www.plymouthbikenight.org.uk/

Wednesday, 9 May 2012

Erasmus...

Last week, there was an email about an amazing opportunity to go to Budapest to study for 3-4months and I just had to follow this up so met up with Monika and she told me a bit more about it and I was originally going to apply for the May 15th deadline but what with all the assignments etc I just don't think I would be able to create a good enough application to send to them. I was the first person to inform Monika that I was interested in getting involved and when we met up the emails were still down so she wasn't sure if there was anyone else interested, but thankfully a lot of friends from the course wish to go as well so we are all going to apply for the November deadline so it is something I can work on over the summer.
I have always wanted to go to Budapest and I have a great interest in the history of the place too, I have read books on the Ottoman empire and the folklore there is fascinating. I am really hoping I am good enough to get a place because it would be such an enriching experience! http://www.mie.hu/en

Email to Michael Lichter...

So yesterday, I had a tutorial with Jane about my bike night images and there are a few things I still need to work on, one of them being my focusing as some of my portraits are just out of focus...by a tiny amount! It's so frustrating because to me, through the camera, they look focused so maybe it's my eyesight...something to check out!
Anyways, whilst chatting with Jane a woman (I don't actually know her name) came up and said that she did some work with bikers a few years ago and can get me in touch with a few people so I thought that was fantastic and gave her my contact details. She also suggested I email Michael Lichter who is a bike photographer who funnily enough I have already researched. She said to email him for advice/tips as she did on her project. So emailed him yesterday and I checked the college email this morning and would you know it he has replied and is up for me to email him questions, so quickly sent him some as he is a busy man, fingers crossed I get a reply! I didn't realise at the beginning of this project, when motivation was seriously lacking, that I would end up getting really involved with this community of people and I have been asked to do the rest of the Bike Nights as well and when it is sunny I am going to head to Cap'n Jaspers on the Barbican to photograph the bikers who convene there, so should start building up a portrait based portfolio. Who knew eh?!

You can check out Michael's work at his website: http://www.lichterphoto.com/

Saturday, 5 May 2012

Plymouth Bike Night May 2012

So on Thursday I went up to The Hoe in Plymouth for the Bike Night to photograph the event for my client brief - I took 355 photographs in the space of 3 hours! I spent yesterday evening and all day today cutting down and editing my shots and I still have to pic my final images for my portfolio!
It was such a great night and I met so many great people and one of the bikers there had a friend who was a photographer for Vogue and Marie Clare and had photographed Naomi Campbell and other models!! Should have got his contact details! but I am going to see a lot of them at the Megaride in June which plays hosts to bikers in their thousands!
I also had oone of the marshalls come up to me and asked if I could email him the pictures I had taken of his son which I have just done today, and I emailed the photographs I took of the band that was playing, Joker, to them and have asked them to credit me if they use the images for advertising etc.
I really felt that I had captured the personalities of the people that go to this event because there is just not much awareness of it in Plymouth and the Bike Night raises so much money for charity, for example, Thursday night they raised almost £500! And 319 bikers attended the evening so great turnout and lots to photograph.
Anyways, here are some pics from the night:


The image below is taken with a Sigma 10mm Fisheye lens, I only did about 7 images with the fisheye lens as I was just wanting to produce a few images that had a more creative flare!


These two were happy for their picture to be taken wearing their tiger onesies that they wore when riding in on their bikes! The photograph on the right is of the Aquila Motorcycle Club and I took it just after taking a photograph of another member called 'The Caretaker'!!


Joker
This is one of 50 images I took of the band on the night, I particularly like this one because of the slight green cast that was caused by one of the spotlights and they had just switched on the smoke machine so it makes the image more atmospheric. The reason I didn't photograph the lead vocalists face here is because I wanted to focus on the guitar, the source of the music.